"Khatam" is one of the graceful Iranian handicrafts that is utilized to coat boxes, cases and frames. As an acclaimed expert in Persian archeology has put it a sample of Khātam is: “a pair of doorposts belonging to the year 1591, with background of walnut, tiled with bones and various pieces of wood, and is called ‘Khātambandī’.” The origin of the name may come from the fact that in one centimeter of ‘Khātam’ more than 200 pieces of wood, metal and bone are employed-something that demands a great deal of dexterity, precision and patience.
"Khatam" is one of the graceful Iranian handicrafts that is utilized to coat boxes, cases and frames. As an acclaimed expert in Persian archeology has put it a sample of Khātam is: “a pair of doorposts belonging to the year 1591, with background of walnut, tiled with bones and various pieces of wood, and is called ‘Khātambandī’.” The origin of the name may come from the fact that in one centimeter of ‘Khātam’ more than 200 pieces of wood, metal and bone are employed-something that demands a great deal of dexterity, precision and patience. Tiny triangles of wood, bones (camel’s and ivory), metal (gold, silver, copper and brass), glue and tools such as thin saws and files are among the typical items utilized in making of “Khātam’.
Designing of inlaid articles is a highly elaborate process. In each cubic centimeter of inlaid work, up to approximately 250 pieces of metal, bone, ivory and wood are laid side by side. Inlaid articles in the Safavid era took on a special significance as artists created their precious artworks. These works include; doors and windows, mirror frames, Quran boxes, inlaid boxes, pen and penholders, lanterns and inlaid ornamented shrines.
The steps of making Khatam: First different kind of wood in different colors are provided and then with the relevant tools they are cut each horing 30 cm length and 1-5.2 mm diameter and some triangles are prepared from them, which after filing, all the lateral are made according to the plan and as desirable and in order to finish the plan,there is a need for metal wires which some steps are taken to prepare them. Then to make Khatam the head-artisian draws the drawings of different figures which are to be made in order to make Khatam and these wooden triangles or metal ones are put beside each other by the hands of skillful artist and glued to each other and made firm with the use of strings of which made called paddle(expression) After some hours the strings are filed and four paddles which hare been made are put beside each other and then are glued to each other again resulting in something called "toglo" the next steps which is popular as making flowers is initiated. In this step, 6 wires are glued around each corner by a round metal wire which is made in six lateral figure and called shamse, and then the resulting structure is firmed by strings which a star-like plan is obtained, these plans are so repeated that the required general plan is made and put under pressure of press machine and Khatam is made after some steps of cutting and gluing the very delicate layers to each other that all of these steps from the beginning up to the end consists of 400 operational steps. The Khaatam are glued based on the plan, color, shape, dimensions and the place of application and by making different plans and making similar figures or symmetrical shapes, all the plan surface is adorned by signets which is then prepared by performing some repairs, filing, brushing and under cuttings and finally grinding and straightening of Khatam surface, and then oiling and polishing by some special materials such as sealer and polisher. The quality of a Khatam depends on its fine drawing and regularity of the plan, all of which are summarized in the skills of head artisian.